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![]() Scene from KING OF THE JEWS |
Jay Rosenblatt's short films are elegant mosaics combining: educational movies from the 50s and 60s, newsreels, Hollywood clips, historical footage, home movies, and a rich trove of archival materials. But surreal and dreamlike as they often feel (not unlike the work of Bruce Conner), Rosenblatt's movies also have hard-hitting psychological and historical underpinnings.THE SMELL OF BURNING ANTS considers the casual brutality and violence of growing up male; HUMAN REMAINS reviews the personal foibles and eccentricities of the 20th century's most reviled dictators (Hitler, Stalin, Mao, Franco, Mussolini); and KING OF THE JEWS, his newest mini-opus, presents his uneasy childhood experience of Jesus as a point of departure for exploring the nexus of fear, fascination and transcendence.
![]() A History of Experimental Film and Video by A.L. Rees |
(Not Shown) Direct Theory: Experimental Film/Video As a Major Genre by Edward S. Small |
(Not Shown) Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema by James Peterson |
![]() Dada and Surrealist Film by Rudolf E. Kuenzi (Editor) |
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